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Koyaanisqatsi
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3:32 |
10
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Glassworks: Closing
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6:04 |
9
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Prophecies
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8:11 |
8
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Knee Play 3
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5:42 |
8
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Glassworks: Opening
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6:25 |
8
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Glassworks: Floe
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5:51 |
8
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The Grid
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14:56 |
7
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Vessels
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8:06 |
7
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In The Upper Room: Dance V
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3:25 |
7
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Pruit Igoe
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7:03 |
6
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Cloudscape
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4:40 |
6
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In The Upper Room: Dance IX
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7:52 |
6
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Glassworks: Island
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7:40 |
6
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Glassworks: Facades
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7:23 |
6
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Glassworks: Rubric
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6:04 |
6
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In the Upper Room: Dance VII
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2:45 |
6
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In The Upper Room: Dance I
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1:10 |
5
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In The Upper Room: Dance II
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5:43 |
5
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Symphony No. 3: Movement I
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4:36 |
5
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Knee Play 1
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3:52 |
4
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Symphony No. 3: Movement II
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6:14 |
4
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Symphony No. 3: Movement IV
|
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3:28 |
4
|
|
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Symphony No. 3: Movement III
|
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10:04 |
4
|
|
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Knee Play 2
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6:49 |
3
|
|
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Symphony No. 8: Movement I
|
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19:27 |
3
|
|
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Symphony No. 8: Movement II
|
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12:18 |
3
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Symphony No. 8: Movement III
|
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6:57 |
3
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|
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Powaqqatsi: Serra Pelada
|
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5:04 |
3
|
|
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Powaqqatsi: Video Dream
|
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2:15 |
3
|
|
|
Mr. Suso #2 with Reflection
|
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1:18 |
2
|
|
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New Cities in Ancient Lands, India
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|
4:41 |
2
|
|
|
New Cities in Ancient Lands, Africa
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|
2:55 |
2
|
|
|
New Cities in Ancient Lands, China
|
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|
2:47 |
2
|
|
|
Train 1
|
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|
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|
21:20 |
2
|
|
|
Trial 2/Prison: “Prematurely Air-Conditioned Supermarket”
|
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|
12:17 |
2
|
|
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Mishima: Opening
|
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|
2:46 |
2
|
|
|
DRACULA: The Storm
|
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|
1:32 |
2
|
|
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Koyaanisqatsi: Koyaanisqatsi
|
|
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3:25 |
2
|
|
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Koyaanisqatsi: Organic
|
|
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|
7:46 |
2
|
|
|
Powaqqatsi: Powaqqatsi
|
|
|
|
|
4:35 |
2
|
|
|
Anima Mundi: Living Waters
|
|
|
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|
3:52 |
2
|
|
|
The Hours: The Poet Acts
|
|
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|
4:05 |
2
|
|
|
Satyagraha: Act I (Tolstoy), Scene 1: The Kuru Field of Justice
|
|
|
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|
18:46 |
2
|
|
|
Etude for Piano No. 5
|
|
|
|
|
5:44 |
2
|
|
|
Powaqqatsi: Train To Sao Paolo
|
|
|
|
|
3:06 |
2
|
|
Facades
|
|
|
|
|
6:10 |
1
|
|
|
Knee Play 4
|
|
|
|
|
6:45 |
1
|
|
Etoile Polaire
|
|
|
|
|
2:38 |
1
|
|
|
Koyaanisqatsi: Vessels
|
|
|
|
|
8:02 |
1
|
|
|
The Truman Show: Raising The Sail
|
|
|
|
|
2:16 |
1
|
|
|
DRACULA: Dr. Van Helsing And Dracula
|
|
|
|
|
2:26 |
1
|
|
|
Mishima: Closing
|
|
|
|
|
3:00 |
1
|
|
|
La Belle Et La Bete: Overture
|
|
|
|
|
3:53 |
1
|
|
|
Kundun: Sand Mandala
|
|
|
|
|
4:04 |
1
|
|
|
Kundun: Lhasa At Night
|
|
|
|
|
1:59 |
1
|
|
|
Kundun: Escape To India
|
|
|
|
|
10:09 |
1
|
|
The Fog of War: The War To End All Wars
|
|
|
|
|
1:43 |
1
|
|
The Thin Blue Line: Houston Skyline
|
|
|
|
|
4:42 |
1
|
|
|
The Secret Agent: Secret Agent
|
|
|
|
|
4:49 |
1
|
|
|
The Secret Agent: The First Meridian
|
|
|
|
|
3:19 |
1
|
|
|
Anima Mundi: The Witness
|
|
|
|
|
4:15 |
1
|
|
|
Koyaanisqatsi: Cloudscape
|
|
|
|
|
4:32 |
1
|
|
|
Koyaanisqatsi: Resource
|
|
|
|
|
6:39 |
1
|
|
|
Koyaanisqatsi: The Grid
|
|
|
|
|
21:19 |
1
|
|
|
DRACULA: Dracula
|
|
|
|
|
1:11 |
1
|
|
|
Akhnaten: Act I, Scene 3: The Window of Appearances
|
|
|
|
|
9:12 |
1
|
|
|
Satyagraha: Act I (Tolstoy), Scene 2: Tolstoy Farm (1910)
|
|
|
|
|
11:03 |
1
|
|
|
Satyagraha: Act II (Tagore), Scene 1: Confrontation and Rescue (1896)
|
|
|
|
|
14:45 |
1
|
|
|
Satyagraha: Act II (Tagore), Scene 3: Protest (1908)
|
|
|
|
|
15:16 |
1
|
|
|
Mishima: November 25: Morning
|
|
|
|
|
4:12 |
1
|
|
|
Kundun: Distraught
|
|
|
|
|
2:59 |
1
|
|
|
Candyman: It Was Always You, Helen
|
|
|
|
|
3:11 |
1
|
|
|
Etude for Piano No. 2
|
|
|
|
|
1:52 |
1
|
|
|
Satyagraha: Act III (King), Scene 1: Newcastle March (1913) -Part 3: Evening Song
|
|
|
|
|
8:23 |
1
|
|
|
String Quartet No. 2 ('Company'): Movement III
|
|
|
|
|
1:33 |
1
|