djtant

paul lynch, 37, Maschio, Stati Uniti
www.djtant.comUltimo accesso: Agosto 2014

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  • xthcmusic

    thanks for listening...much appreciated! please spread the word! :)

    29 Set 2009 Rispondi
  • Kellplanet

    Hi from Canada...I noticed you were listening to The World by Kellplanet ...just thought I’d let you know that if you enjoyed it and would like to listen to other tracks on the album you can find them at http://www.last.fm/music/Kellplanet .. Cheers!....Rick

    30 Lug 2009 Rispondi
  • Norfeest

    In Mono...I dig that name. I just read your bio on the site and the In Mono project sounds promising. I can't wait until it drops; I've been branching out into electronic/trip hop music and its many branches for about a year now...

    11 Mar 2009 Rispondi
  • djtant

    Thanks man. yeah im workin on the new album. Got it half done. I also have another album by my other project ((( in mono ))) almost finished. Check it on www.inmono.org. thanks again for the review.

    10 Mar 2009 Rispondi
  • Norfeest

    Hey, man. I loved your Notes of Abrasion LP. I even wrote a short review on it for Modern Fix magazine. Got anything in the works right now?

    26 Feb 2009 Rispondi
  • LAST.HQ

    Welcome aboard, djtant! Happy listening.

    3 Ott 2008 Rispondi

Descrizione

Portland, Oregon’s DJ Tan’t (Paul Lynch, also known as Tantrum) throws one big and beautiful fit onNotes of Abrasion, his new breakbeat opus and sophomore LP. Combining DJ Shadow’s atmospheric drama, Amon Tobin’s frenetic rhythms and back-alley noir, and M83’s widescreen grandeur, Abrasion by turns pummels and soothes, bloodying listeners with titanic drum barrages before applying the salve of a serene synth wash or haunted piano refrain. The piano in particular plays a central role in many tracks; while sampler maestro Tan’t uses ample appropriated sound in his beat productions (check the roughing-up given Ralph Vaugh Williams on “Computer Eyes”), “live” drum, bass, and especially—courtesy of Tyler Evans—piano parts figure heavily in the mix. “Concerto Red,” a fierce drum-and-piano workout, stands among the album’s highlights.

Legend has it that Tan’t began his DJing career at the age of three, when he was given two FisherPrice turntables—which he soon broke in his first fit of musical fury. Stints playing guitar in the bands Carpathia and Only Connect during college and DJing at college radio stations in Eastern Washingtonand Upstate New York followed. After relocating to Portland, Tan’t developed his love of hip hop,jungle, and other forms of breakbeat into the luscious aural assault that—armed with trusty MPC,Yamaha keyboard, Megabox toy drum machine, and Loop Station—he regularly delivers to audiences.He self-released his first LP, tantalize.tantric.tantrum., in 2003 and contributed a sublime remix of Alan Singley’s “On Leaving” to Holocene Music’s remix compilation It’s Important to Me to be One StepFurther than One Step Beyond. In addition to an upcoming gig with Dabrye, Tan’t has also played withAlias, DJ Vadim, Themselves, Luke Vibert, Plaid, Subtle, Hood, Chris Clark, Sixtoo, DJ Signify, Why?,Clue to Kalo, Jel, Blockhead, and DJ P-Love.
- Brent Bell – pdx.pop.press@gmail.com June'06

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