_KevMusic_
22, Nuova Zelanda
en.wikisource.org/wiki/Ind…Ultimo accesso: ieri pomeriggio
3.205 brani preferiti | 30 messaggi nei forum | 1 playlist |
1.505 messaggi in bacheca
Il tuo grado di compatibilità musicale con _KevMusic_ è Sconosciuto
Crea il tuo profilo musicaleBrani ascoltati di recente
|
|
Bill Evans Trio – Nardis (1979/12/09) | ieri pomeriggio | |||
|
|
Bill Evans Trio – Laurie (1979/12/09) | ieri pomeriggio | |||
|
|
Bill Evans Trio – Polka Dots And Moonbeams (1979/12/09) | ieri pomeriggio | |||
|
|
Bill Evans Trio – Solar (1979/12/09) | ieri pomeriggio | |||
|
|
Bill Evans Trio – Morning Glory (1979/12/09) | ieri pomeriggio | |||
|
|
Bill Evans Trio – On Green Dolphin Street (1979/12/09) | ieri pomeriggio | |||
|
|
The Dead C – Repulsion |
|
ieri pomeriggio | ||
|
|
The Dead C – Repulsion |
|
ieri pomeriggio | ||
|
|
Bill Evans Trio – The Peacocks (1979/12/09) | ieri pomeriggio | |||
|
|
Bill Evans Trio – Very Early (1979/12/09) | ieri pomeriggio | |||
|
|
Bill Evans Trio – Re: Person I Knew (1979/12/09) | ieri pomeriggio | |||
|
|
The Goslings – Dinah | ieri pomeriggio | |||
|
|
The Goslings – Haruspex |
|
ieri pomeriggio | ||
|
|
The Goslings – Windowpane | ieri pomeriggio | |||
|
|
The Goslings – Sanibel | ieri pomeriggio | |||
|
|
The Goslings – Overnight | ieri pomeriggio | |||
|
|
The Goslings – Golden Stair |
|
ieri pomeriggio | ||
|
|
The Goslings – Croatan | ieri pomeriggio | |||
|
|
The Goslings – Own A Car | Ieri 14:31 | |||
|
|
Tiger Choir – Owls | Ieri 14:24 |
Libreria di _KevMusic_
1.139 artisti
Visualizzazione: ultimi 7 giorni
-
Sun City Girls (23 ascolti)
-
Mary Timony (19 ascolti)
-
The Goslings (18 ascolti)
-
東京事変 (17 ascolti)
-
Tiger Choir (17 ascolti)
-
椎名林檎 (15 ascolti)
-
Spunk (12 ascolti)
-
Bitch Magnet (11 ascolti)
Brani preferiti (3205)
Ultima preferenza: The Goslings – Haruspex
Artisti più ascoltati
| 1 |
|
||||
| 2 |
|
||||
| 3 |
|
||||
| 4 |
|
||||
| 5 | |||||
| 6 |
|
||||
| 7 |
|
||||
| 8 |
|
||||
| 9 |
|
||||
| 10 |
|
||||
| 11 |
|
||||
| 12 |
|
||||
| 13 |
|
||||
| 14 | |||||
| 15 |
|
||||
| 16 |
|
||||
| 17 | |||||
| 18 |
|
||||
| 19 | |||||
| 20 |
|
||||
| 21 |
|
||||
| 22 |
|
||||
| 23 |
|
||||
| 24 |
|
||||
| 25 | |||||
| 26 |
|
||||
| 27 |
|
||||
| 28 |
|
||||
| 29 |
|
||||
| 30 |
|
||||
| 30 |
|
||||
| 32 | |||||
| 33 | |||||
| 33 | |||||
| 35 |
|
||||
| 36 | |||||
| 36 |
|
||||
| 36 |
|
||||
| 39 |
|
||||
| 39 | |||||
| 41 |
|
||||
| 42 | |||||
| 43 | |||||
| 44 |
|
||||
| 44 |
|
||||
| 44 |
|
||||
| 47 |
|
||||
| 48 |
|
||||
| 49 | |||||
| 50 |
|
Brani più ascoltati
| 1 |
|
||||
| 1 |
|
||||
| 3 |
|
|
|||
| 4 |
|
|
|||
| 5 |
|
||||
| 6 |
|
||||
| 7 |
|
|
|||
| 7 |
|
|
|||
| 7 |
|
|
|||
| 10 |
|
|
|||
| 10 |
|
||||
| 10 |
|
|
|||
| 13 |
|
|
|||
| 14 |
|
|
|||
| 15 |
|
||||
| 15 |
|
|
|||
| 17 |
|
|
|||
| 17 |
|
|
|||
| 19 |
|
|
|||
| 19 |
|
|
|||
| 19 |
|
|
|||
| 22 |
|
|
|||
| 23 |
|
|
|||
| 23 |
|
|
|||
| 23 |
|
|
|||
| 23 |
|
||||
| 23 |
|
||||
| 23 |
|
||||
| 23 |
|
|
|||
| 23 |
|
|
|||
| 31 |
|
|
|||
| 31 |
|
||||
| 31 |
|
|
|||
| 31 |
|
||||
| 31 |
|
||||
| 31 |
|
|
|||
| 37 |
|
|
|||
| 37 |
|
|
|||
| 37 |
|
|
|||
| 37 |
|
|
|||
| 37 |
|
|
|||
| 42 |
|
|
|||
| 42 |
|
|
|||
| 42 |
|
||||
| 42 |
|
|
|||
| 42 |
|
|
|||
| 47 |
|
|
|||
| 47 |
|
|
|||
| 47 |
|
|
|||
| 47 |
|
|
Descrizione
I gather that somewhere underneath it all lies that unuttered quest(ion)/concern of what it is to be an elemental.
I choreograph sound, besides.
Leave droplets.
Give me time/space, and I will choreograph sound. For you, for me, for ether.
Looking for other fiercely intelligent and creatively minded people who wish to do the same. Who knows.
I'll fill this out properly later.
This was all written so very long ago.

And why not.
"...Even recreational activities may ultimately come to lack playfulness and to be performed with the same demanding attitude as any other productive activity. These literalistic styles, moreover, tend to shape the quality of life in ways which are difficult to identify because our usual methods of observation largely depend upon the literal vocabulary of our dominant epistemologies. The prevalence of a literalist inclination could thus be viewed as a life-damaging compulsion to be 'normal'. We can perceive this inclination whenever there is a tendency to paraphrase or translate our metaphoric attempts into objective utterances even at the cost of annulling original meanings and de-symbolizing our own linguisticity. Should this tendency become dominant to the point of discarding our emergent thoughts, we would then become permanently constrained into the boundaries of literalness. And whenever forced to confront complex life situations, of 'foreign' areas of literalness, the atrophy of our metaphoric capacities would inevitably be betrayed.
In the potential dominance of conventions and literalness we can discern a novel method for somehow assessing an inconspicuous form of human pathology which we could name the 'literalist distortion', for lack of a better term. As we know, we commonly regard as mentally ill those who do not have a sufficiently good sense of reality and of interpersonal transactions. But then, this generalized approach could be integrated, by converse, with a concern for those who are so firmly in contact with standard reality that they ultimately forsake a contact with the deeper sources of their subjectivity, and thus with a more creative participation in reality. The domain of literalness gravitates in fact towards a sign-type of language characterized by a one-to-one correspondence to events and for a tightly defined equivalence to such events; a less literal language would allow for a one-to-many relationship, for a surplus of meanings, as Ricoeur puts it, which are not exact equivalents but rather suggest the nature of that which is expressed in language. As is maintained in psychoanalytic culture, there are subjects who may even develop a vicarious personality only intent upon being 'objective', and primarily engaged with standard representationalist concerns to the detriment of any awareness of messages originating from within...
...It is possible that new forms of pathology are now emerging, or else that we are now gaining an awareness of painful styles of life which have always existed. Life-damaging inclinations may be detected in a tendency to gravitate towards literalness in such a way that the more personal non-literal expressions are increasingly atrophied. What is left is a mute distress due to the annulment of one's inner life, or the need to search for ways of symbolizing such inner void in response to the rare occasions when someone may try to construe our irrepressible metaphoric attempts. In some cases it is almost as if a literalistic vicarious personality were at work, capable only of objective transactions and virtually incapable of authentic relations - almost an inclination to be an object among objects. Experiences are privileged to the extent that they are amenable to expression through the literal language which prevails, at the cost of inducing an even greater discrepancy from the experiences emanating from a 'silenced', concealed part of the self. At the level of verbalization a situation is created whereby language may be recruited to endorse a potentially increasing gap between a private 'true' self and a social 'false' self; and because a false self can be reinforced by means of dialogic responses, it will increasingly establish its dominance. Literal language might even become the almost exclusive means for being with others and sharing life's vicissitudes: it may sadly be the case that whenever a more personal language is used, the environment tends not to respond, as if the individual were non-existent. To adhere to a literalist language is perhaps to try desperately to be normal. And we can envisage a common literalist danger in the form of a massive transfer of inner conditions upon standard expressions so as to increasingly de-symbolize inner events. If this attitude predominates and is used to get rid of unbearable inner states, we inevitably move in the direction of a literalist pathology. And by depending upon such literalness we can also increasingly entrust our inner functions to concrete objects and tangible situations. However well we use and coordinate these externalized inner functions, we may in fact construct for ourselves a life space of meaningless abundance."
Connections between Language and Life"
Gemma Corradi Fiumara, 1995

and so on, and so forth // this prior pertinence /// we collate
Attività recenti
-
_KevMusic_ ha aggiunto The Dead C – Repulsion alla playlist The best of the best?. ieri pomeriggio
-
_KevMusic_ ha aggiunto The Goslings – Haruspex e The Goslings – Golden Stair ai preferiti. ieri pomeriggio
-
_KevMusic_ ha caricato Tiger Choir - Tiger Choir EP (2009) tra le immagini di Tiger Choir EP. ieri pomeriggio
-
_KevMusic_ ha caricato Tiger Choir - Unicycles (2011) tra le immagini di Unicycles. ieri pomeriggio
-
_KevMusic_ ha inviato un messaggio nella bacheca di ˆSILVESTROV, Valentin (b. 1937)ˆ – "Meditation" for violoncello and chamber orchestra (1971) . ieri mattina
-
_KevMusic_ ha aggiunto ˆSILVESTROV, Valentin (b. 1937)ˆ – "Meditation" for violoncello and chamber orchestra (1971) ai suoi brani preferiti. ieri mattina
-
_KevMusic_ ha inviato un messaggio nella bacheca di Hermione Johnson . ieri mattina
-
_KevMusic_ ha aggiunto Les Rallizes Dénudés – Strung Out Deeper Than The Night ai suoi brani preferiti. Venerdì mattina
-
_KevMusic_ ha inviato un messaggio nella bacheca di Vavabond . Giovedì pomeriggio
-
_KevMusic_ ha inviato un messaggio nella bacheca di The Goslings – Statuette . Giovedì pomeriggio
Eventi
- Feb 18 La Dispute (18+) Corner Hotel, Richmond, Melbourne, Australia
-
Feb
20
La Dispute
East Brunswick Club Hotel, Brunswick East, Melbourne, Australia
28 partecipanti
1 messaggio in bacheca
-
Feb
22
Erykah Badu
Palais Theatre, Melbourne, Australia
22 partecipanti
5 messaggi in bacheca
-
Feb
26
Heathen Skulls presents 'Heathen Earth'
East Brunswick Club Hotel, Brunswick East, Melbourne, Australia
11 partecipanti
-
Feb
29
Devin Townsend Project
Forum Theatre, Melbourne, Australia
48 partecipanti
7 messaggi in bacheca
-
Mar
4
Ariel Pink's Haunted Graffiti
Corner Hotel, Richmond, Melbourne, Australia
18 partecipanti
Gruppi (249)
-
from the choirgirl hotel
75 iscritti (leader del gruppo)
-
I love everyone.
37 iscritti (leader del gruppo)
-
Earplugs
10 iscritti (leader del gruppo)
-
I refuse to download music
9 iscritti (leader del gruppo)
-
Melbourne Uni is shit
5 iscritti (leader del gruppo)





