Overseer

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U.K.-based DJ Overseer made a name for himself with concoctions that married the pomposity of heavy metal riffing to the bombastic bottom end of big beat. He first emerged on wax with the independent EPs Zeptastic (1996) and Hit the Tarmac (1998); Columbia Records took notice and signed him in late 1998. It wasn’t long before his action-packed grooves were making their way into film and television productions (Any Given Sunday, Alias) and extreme-themed video games. The Everything Louder Than Everything Else EP appeared in 2000, after which nothing was heard from Overseer until 2002-2003, which proved to be a quite a fruitful period. Overseer scored the trailer for Matrix: Reloaded, and was included on the soundtrack to the extreme ski and board film The Prophecy. He wrote all the music for Animatrix, the animated companion to the hit film series, and also saw his music appear in a high-profile Mitsubishi ad campaign. Overseer also issued his first full-length LP, Wreckage.


Overseer - Wreckage (2003) - Review by William Ruhlmann

Rob Overseer is yet another in a series of DJs sitting in their basements in northern England (in this case, Leeds) with a lot of machines creating electronic dance music and ethereal soundscapes. If much of his debut album Wreckage sounds familiar to almost anyone who hears it, there are two reasons. One is that its collages of beats, sampled instruments, raps, and repeated chants are not unlike the work of Fatboy Slim and Moby, to name only the most well-known purveyors of the same style.

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