Crisis

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Quickly hammering out a name for itself with the album 8 Convulsions on Too Damn Hype Records, the band Crisis made the jump from the independent scene to pioneering label Metal Blade Records. Without sacrificing one iota of their integrity, 1996 held the release of the album Deathshead Extermination, which was quickly followed by 1997’s The Hollowing, and carved out a niche for Crisis in a scene bereft of much originality. With music that drew from such diverse influences as Black Sabbath, Cocteau Twins, and The Swans, but keeping metal at their core, Crisis were one of the few bands both fans and critics could call true innovators. Refusing to bend to trends or to sell out for the easy money, Crisis established themselves as a band that would be taken on it’s own terms or none at all.
In 2004, Crisis returned from hiatus with the goal to reassume their place in metal, and did just that with the Billy Anderson-produced Like Sheep Led To Slaughter. Avante-metal label The End Records was the perfect and only logical home for the new Crisis disc. The guitar soundscapes of Afzaal and new rhythm guitarist Jwyanza Hobson joined the rumbling bass of Gia Chaun Wang to craft instantly-memorable metal, and atop it all, the cathartic shriek and growl of Karyn’s otherwordly vocals. At once ethereal and bestial, Crisis did more than step back into the fickle hard music scene without missing a beat. Fans and critics alike continue to hail Like Sheep Led To Slaughter as one of 2004’s top releases, and the video for ‘Blood Burden’ was featured on MTV2’s Headbanger’s Ball. The debut album, 8 Convulsions was reissued in June of 2004 via Martyr Music Group and Crisis’ own Children Of Rage lael imprint.
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